Stop what you’re doing and go see Bridge of Spies right now.
Kingsman: The Secret Service is exactly the movie you need right now.
By now, you’ve no doubt heard of the spectacular failure that is Mortdecai.
Keanu Reeves is John Wick, a retired super-killer whose name evokes dread and the resignation to certain death if one gets on his bad side.
Here is a spoiler warning: I will talk about the plot of Gone Girl in the review below.
When it comes to stop motion animation, the folks at Laika are at the top of the heap.
This movie is based on a podcast episode, which was a discussion of a Twitter post of an online apartment listing, and it feels just like that.
Check out Brittany Murphy's last movie.
Magic and myth-busting are the stuff of Woody Allen’s latest film, Magic in the Moonlight.
The thing I always liked about Nickelodeon television, as opposed to its snooty, self-righteous cousin, Disney, was that it didn’t talk down to its audience, which is largely comprised of kids, the preteen sect.
Guardians is super fun, the soundtrack’s killer, the killer’s menacing, the hero’s heroic, the tree is the best part.
The word that came to mind repeatedly while viewing Begin Again is "quaint." As in, "Aw, how quaint that Adam Levine is acting in movies now," and, "The idea of Keira Knightly being a brooding singer-songwriter is so quaint!"
David Wain brings his brand of off-kilter, super silly meta mockery to a more genre-specific place than usual with his spoofy romantic comedy, They Came Together.
It manages its sequelity (sequelness? sequelation?) like Muppets: Most Wanted did, banging you over the head with clever jokes about how movies are never as good the second time around.
In Joon-ho Bong’s Snowpiercer, by the year 2031, the earth has frozen over, and the world’s only survivors are packed into this technological wonder of a train that barrels around the globe in a constant effort to not freeze up and expire.
No comedy today needs to be one hour and fifty-five minutes long.