rose-mgowan-dance

In this short video titled Wild Rose, Rose McGowan is filmed by Marlene Marino dancing naked around her house and sometimes her yard.

Rose McGowan moves intuitively around her LA home in this tender portrait by Marlene Marino, shot earlier this year when the photographer captured the American actress for the latest issue of lifestyle title Apartamento. The Brian De Palma and Quentin Tarantino favorite made her name in tongue-in-cheek slasher Scream and supernatural series Charmed, and established her cult status in director Gregg Araki’s 1995 comedy thriller The Doom Generation, which saw the pin-up entangled in a sordid ménage à trois. Yet shooting today’s short was a strict case of ‘Two’s company.’ Having met through director Ridley Scott’s Black Dog Films—set to release McGowan’s directorial debut Dawn—the actress and Marino bonded over a shared attitude towards beauty. “Marlene and I were just celebrating femininity,” she says of the visceral short that is soundtracked by Italian composer Ludovico Einaudi, who previously scored Shane Meadows’ This Is England. “I think people can rise higher than the consensus of what is considered sexy; our only objective was to do something natural. I didn’t act, I just flowed into it.” Nowness

The video is NSFW by the way, but it’s art so you can always argue that to your boss.

This was so beautiful that a single tear rolled down my cheek as I rose up from my hiding spot behind Rose McGowan’s bushes.

The video was very illuminating for McGowan as well as she’s recently reclaimed her own ideas of beauty.

What was it like to see yourself in this completely uninhibited state?
Rose McGowan: It was really transformative: it actually made me cry. It was born out of reclaiming my own ideas of what beauty is. I have realized that I don’t have to be bound by the “rules” here in Los Angeles or Hollywood. It is me, but not an artificial version.

She’s a natural Teresa Palmer. Look at Rose dancing around with her lithe body and supple breasts. Suck it, Hollywood standards.

By the way, McGowan is going to exhibit custom-made porn soon.

What’s next for you?
RM
: I’m going to direct my first feature film, taking things I borrowed from Marlene. I’m also making a show about art and pornography. It will be custom-made porn but not in the kind of way that you’ve seen or that you think of it.

Important question. Will there be dongs going in and out? *Crosses fingers*

Is that in production?
RM:
 I just shot the teaser for it and in it I’m wearing a strap-on. It’s pretty balls-out, I’m not gonna lie—it’s going to look insane.

Well, I guess that could work. Can you give us a few more details?

What’s your experience of pornography?
RM:
 I have never liked it and don’t find it sexually interesting: I don’t like their hair,  makeup, or acting. How am I supposed to get excited by something that I think is cornball and not beautiful?

So what would you consider to be sexy?
RM: 
Oh I don’t know, maybe two people in a lovely field on a farm, shot like Terence Malick.

Shot like Terence Malick, huh? So you’re telling me I’m going to fall asleep watching this?